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Fred Forest - Retrospective
Sociologic art - Aesthetic of communication
Exhibition Generative art - November, 2000
Exhibition Biennale 3000 - Sao Paulo - 2006
PRESENTATION
EXHIBITION
REFLECTION
COLLOQUES
WHAT'S NEW
CONTACT
> Editorial
> Artworks/Actions
> Criticism
> Biography
> Bibliography
> Synthetic note
> Retrospective online
> Audio conference
> Videos

1 SOCIOLOGICAL ANIMATION / FAMILY PORTRAIT 1967
2 VIDEO ACTIONS, "LA CABINE TELEPHONIQUE/LE MUR D'ARLES" 1967
3 INTERROGATION 1969
4 SPACE - MEDIA 1972
5 THE GESTURES (LES GESTES) WITH THE THEORETICAL INVOLVEMENT OF VILEM FLUSSER 1972
6 MEETING WITH FRED FOREST 1972
7 LE CAPITOLE 1972
8 ARCHEOLOGY OF THE PRESENT 1973
9 VIDEO - THIRD AGE 1973
10 XIIe BIENNIAL OF SAO PAULO 1973
11 SOCIOLOGICAL WALK IN BROOKLYN 1973
12 THE SMALL MUSEUM ABOUT OF THE CONSUMPTION 1973
13 ELECTRONIC AUTOPERCEPTION 1974
14 VIDEO-PORTRAIT OF A COLLECTOR 1974
15 RESTANY LUNCH AT "LA COUPOLE" 1974
16 TV-SHOCK-TV-EXCHANGE 1975
17 NEW MEDIA N° 1 1975
18 I EXPOSE MADAME SOLEIL, LIVE 1975
19 BIENNIAL OF THE YEARS 2000 1975
20 THE FAMILY VIDEO 1976
21 THE VIEWER'S PHOTO 1976
22 THE ARTISTIC SQUARE METER 1977
23" LIBE " WORK OF ART 1979
24 THE TERRITORY 1980
25THE STOCK MARKET OF THE IMAGINARY 1982
26 AUTOPSY OF THE POLITICAL SPEECH 1983
27 HERE AND NOW 1983
28 THE COMMUNICATING SPACE 1983
29 THE CONFERENCE OF BABEL 1983
30 ELECTRONIC BLUE : HOMAGE TO YVES KLEIN 1984
31 LEARN TO WATCH THE TELEVISION WITH YOUR RADIO 1984
32 DOCTORATE IN LETTERS AND LIBERAL ARTS 1985
33 CELEBRATION OF THE PRESENT 1985
34 GLOBAL TELEPHONIC SCULPTURE 1985
35 THE TELEPHONIC RALLY 1986
36 THE TIME OF THE ELECTRONIC WRITING 1986
37 GOLD NUMBER AND FIELD OF FREQUENCY 14 000 HERTZ 1987
38 WANTED : JULIA MARGARET CAMERON 1988
39 ZENAIDE AND CHARLOTTE AT THE ASSAULT OF THE MEDIA 1988
40 JOGGING IN THE PARK 1989
41 TELEMATICS RITUALS FOR SLEEPLESS NIGHTS 1989
42 BALLAD FOR CHANGE OF REGIME 1989
43 HOMAGE TO MONDRIAN 1989
44 THE ELECTRONIC BIBLE AND THE GULF WAR 1991
45 FRED FOREST FOR PRESIDENT OF THE NATIONAL BULGARIAN T.V. 1991
46 THE TELEPHONIC FAUCET 1992
47 THE GLOBAL FAUCETS 1992
48 THE WATCHTOWERS OF THE PEACE 1993
49 THEATER MOVIES RADIO TELEVISION INTERNET 1995
50 TERRITORY OF THE NETWORKS 1996
51 PARCEL NETWORK 1996
52 I STOP THE TIME 1998
53 THE MACHINE TO WORK THE TIME 1999
54 TOUCH-ME 1999
55 THE TECHNO-WEDDING 1999
56 THE CENTRE OF THE WORLD 1999
57 AN APPLE CAN HIDE ANOTHER ONEÖ 1999
58 FEAST OF INTERNET 2000 2000
59 COLOUR - NETWORK 2000
60 Webnetmusum.org http://www.webnetmuseum.org 2001
60 Bis Sorite des Territoires/offrez votre pied 2001
61 TERRITORY OF THE BODY AND NETWORK BODY http://viande.fredforest.net
2002
62 GRENOBLE IN THE CENTRE OF THE WEB http://www.fredforest.org/fete/ 2003
63 "INTERNET A LA LOUPE" http://www.fredforest.org/loupe 2004
64 MEMORY-IMAGES http://www.fredorest.org/Ina 2005
65 DIGITAL STREET CORNER 2005
66 BIENNALE DE L'AN 3000 - MAC (Musée d'Art Contemporain) de Sao Paulo 2006
67 FRED FOREST RETROSPECTIVE - SLOUGHT FOUNDATION OF PHILADELPHIE 2007
68 THE SENTINEL AT WORLD'S END - 1ST BIENNIAL OF THE END OF THE WORLD 2007
69 THE WATCH TOWERS OF THE PEACE 15 YEARS AFTER - SARAJEVO, GALERIJA 10 m2 2007
70 EXPERIMENTAL CENTER OF THE TERRITORY-SECOND LIFE/PROMENADE DES ANGLAIS 2008
71 CREATION FRED FOREST SECOND LIFE 2008
72 CORRIDA ON SECOND LIFE BY FRED FOREST 2008
73 CENTRE EXPERIMENTAL DU TERRITOIRE ON SECOND LIFE, MAC SÃO PAULO 2009
74 EXHIBITION FRED FOREST UNESP 2009

75 GHERSWHIN HOTEL AND WHITE BOX NEW YORK

2009
76 EXHIBITION/ACTION/TALK FRED FOREST ACADEMIE LIBANAISE DES BEAUX ARTS 2010
77 LAUNCHING AGAIN THE BIENNALE 3000 2010
78 THE TRADERS BALL 2010
79 EGO CYBERSTAR 2010
80 A LIFE IN ONE HUNDRED PORTRAITS 2010
81 THE COMPANY FORUMS 2011
82 FRED FOREST ART BY TELEPHONE 2011
83 EBB AND FLOW, THE INTERNET CAVE 2011
84 AN EXTENSION OF EBB AND FLOW, THE INTERNET CAVE 2011
85 SOCIOLOGICAL WALK 2011
86 L'ŒUVRE SYSTEME INVISIBLE ET M2 INVISIBLE 2011
87 FROM SOIOLOGICAL ART TO THE AESTHETICS OF COMMUNICATION 2011
88 THE INVISIBLE M2 ARTISTIQUE 2011
89 THE CONVERSATION 2011

86

PERFORMANCE/LECTURE YANS  & RETO

L’ŒUVRE SYSTEME  INVISIBLE ET M2 INVISIBLE

ANTHOLOGY FILM ARCHIVES NEW YORK

September 13 2011

 

 

100 minutes ACTION FEST: “7 minutes or less” performances, short films, videos, objects of text, readings, proclamations, songs etc… by artists and intellectuals over sixty and under thirty.

Participants: Keith McDermott, Vikki Badd, Eva Davidova -video: “Animations” Mapi Rivera, Raul Gomez Valverde, Bradford Kessler, Jose Carlos Casado, Simon Lund,, Jana Leo Manuel Molina Martagon, Fred Forest, Verónica Pena Martinez-performance, Philippe Avila, Gabriela Jaime, Alexandra Velasco, Anton Cabaleiro, Kika Espejo, Antonio Ortuño, Melay Araya, Brad Blondes, Terry Williams, Laura F. Gibellini, Dionsisio Cañas. Within the frame of two hours and in a theater, the Anthology Film Archive, YANS & RETO is an assemblyof people engaged in contemporary culture who, regardless of their disciplines, have in common a taste for radicalism and experimental creation. YANS & RETO is a one-night festival where artists and intellectuals get introduced to each other by giving a taste of what they do, either with short intense pieces or with quiet interventions that last for the whole two hours. YANS & RETO is against ferocious nonsensical compétition among artists. The festival is also is a situation to encounter others. Different from regular social events where people converse about what they do, here each person is introduced by doing "an action". As in a jazz session (or a flamenco party, where people take a seat and eventually stand up and intervene), artists are not acting for the public.

The event give preference to artists over sixty years of age who are RETO (Radical Even Though Old) andunder thirty who are YANS (Young And Not Stupid) and to Spanish artists of all ages, but also any artist or intellectual who fits the form and content is welcome. What does this means? Those with preference just by registering will be automatically part of the festival (until the space is half-filled) the other half will be filled either invited individuals or selected from the open call.

In an effort to locate Spanish art within international context this festival takes place in what is reference ofquality for not official new york culture: the Anthology Film Archives and not in a institution directly link to Spain such as The Instituto Cervantes. This gesture is also saying that the main problem for art and culture from Spain is the lack of internationalization; to do a show in New York, even it is in an important place doesn’t mean that the work of that artist is international. This festival looks for artist who are international though Spanish. One way to measure if some art is international (significant regardless of your origin or the context in which is produced) is by making an open call with common rules for everybody; the common ground made easy to measure the differences. This is the kind of competition YANS & RETO is trying to promote, the competition of the artist with himself. Not the competition to get stuff and being important. Often, art is a way to dig deep into to a culture. But also, often in art, stupidity is celebrated (this is my take with the use of the concept "emergent artists" and the pathetic of young artist re-doing performances and work done 30 years in advance and unaware of it.) Youth is defined by stupidity and age by wisdom. If one characterizes stupidity by lack of self-control rather than by a lack of knowledge or ability, one finds that one doesn't grow intelligent but simply grows older. At the same time, being "progressive" is not related to being young but to being responsible. Although nobody would like to be perceived as stupid, being stupid releases one from being thoughtful and correcting mistakes. In reality, stupidity is a deviation from what is ethical.

Team

Organized by: Fundación MOSIS- Modelos y Sistemas; Arte y Ciudad (www.fundacionmosis.ocom).

With the help and financial support of Spain Culture New York, Consulate General of Spain in New York the

Spanish Ministry of Culture. (www. spainculturenewyork.org) Local supporter in New York: INVISIBLEEXPORTS

GALLERY, as a location for dropping in material. With the collaboration of Adeola Enigbokan

(communications) and Simon Lund (technical event production and recording).

Coordinator: Jana Leo, 917-940-5411 janaleo@fundacionmosis.com

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